Showing posts with label Houston. Show all posts
Showing posts with label Houston. Show all posts

Saturday, January 15, 2011

IT'S TEAM PKT, NOW WATCH US WORK!!!!

















Okay people, 2011 is here so everybody was talking' bout resolutions and what not. Me myself, I'm not really into resolutions- I'm more about reconciliations. I think true resolve comes at its own pace, not because the calender is rolling over. With that said, I ain't really gotta tell y'all about all these crazy new ideas and plans because we're already halfway through January and my movement is speaking for itself. This isn't my first post of the new year because I've been slacking, it's my first post because I've been hella busy!
Let's start with what Team PKT is calling the 1st major step of our careers for the new year- the My Adidas 2K11 venture. If you haven't heard yet, I teamed up with rap icon Devin The Dude & Go DJ Mankind to contribute something back to hip hop that's about both growth & homage. With all respects due to Run DMC and the late great Jam Master Jay, we decided to return to the true roots of hip hop by revamping what we all know gave rappers the "original swag". The My Adidas 2K11 project is the southern version of the original Run DMC classic paying tribute to both the brand and the icons themselves. Produced by none other than Mike B. & backed by both Go DJ Mankind and Teresa at SF2 fashions, Migration Music is now in cahoots with the Adidas shoe company........had to pause to let that sink in! lol We are fortunate to be a part of the legendary Sneaker Summit on the 23rd where the song will be debuted and a pair of Adidas autographed by Devin & myself will be given away. This whole venture and opportunity is still surreal to me so I don't really know what all I'm supposed to tell you!
Secondly, I'm excited about my 1st Executive Producer project entitled "TEXANS & TITANS" by Lion From The Lake out of Nashville, TN. He and his label entrusted my musical knowledge enough to allow me & Team PKT to handle this project in its entirety and the end result is nothing short of phenomenal! Besides myself, the project has guest appearances from Young Buck, Papa Reu, Lil Keke and more! I'm very excited about my future career as a result of this opportunity and I know that Migration Music & Team PKT will be a force to reckon with for quite some time.
And last but definitely not least, I've completed the Cab Coolerway Project mixtape and THE TEXAS RENAISSANCE is locked and loaded! This is going to be a great year for my entire conglomerate & I promise respect will be given because we've worked hard to earn it! So shout out to T. Flowers, Cool Rob, Mike B & the Houston Track Bangers, Nikki the "Promo Princess", Go DJ Mankind, Teresa & SF2, Sama'an & Alice Ashrawi, my wife Lakeisha Green aka Mrs. PKT, all 5 of my beautiful children (Jalen, Aniyah, Londen, Kyndall & Brayden) and any and everyone who supports, believes in or is affiliated with Team PKT!!!

Tuesday, July 20, 2010

THE MAKINGS OF A CLASSIC

Everyone knows how extensive my history is within my city & everyone is learning how much I have sacrificed to get to the point where I am. What people don't know is exactly how classic the album is actually becoming. When I started the recording process I admit that I had a vision but I never in my wildest dreams envisioned it would be like this! With everything that I have accomplished thus far in my career I have never stopped being a fan of music so to be able to say as an artist I am collaborating with my icons on MY personal project is sort of surreal. The most amazing part isn't the fact that we're getting songs done, its that they are doing it out of respect for me as an artist & that is something I'm still trying to learn how to swallow. This picture you see of 8Ball & MJG is a scan of the original picture I have in possession that was actually taken in Houston & used to create the photo-shopped album cover to "COMING OUT HARD," thats how much of a fan I am! (And this little piece of history is also what solidified this feature & a real relationship) I know plenty of stars so I have never been "starstruck," but I have become struck by the fact that stars are starting to know me! Having personal numbers in your phone to your own idols is something I think you can never get used to.
Enough with my mentals, let's get to this music! The big homies 8Ball & MJG have blessed THE TEXAS RENAISSANCE on the heartfelt joint "What Goes Up" which is a remake of the classic done by Frankie Beverly & Maze. We were accompanied by the vocal stylings of my good friend Adrian B. (formerly known as Gemini) who is actually featured on the album twice. Personally, "What Goes Up" is my favorite song on the project because it is definitely the most honest. The song & the concept sheds light on the truth behind the fame associated with the entertainment industry from the relationship side of things. Most times people forget that stars are people & often times we aren't allowed to have emotions- this song speaks for that. My career has definitely been a roller-coaster ride to success and this song allowed me to address the many feelings I've had over the years & direct certain emotions towards certain people & situations personally.
Features aside, THE TEXAS RENAISSANCE is said to have all the makings of a classic- good concepts, great production & honest words. I don't know if there are high expectations for the project or not but I can say without hesitation that I did my thing. For the first time in my career I entered the booth without feeling like I had anything to prove & I think the end result shows the fun I had creating freely again. With that said, for all the people who have been keeping up with my career I can tell you it's not going to be the verbal onslaught you've come to know me for for. Lyrically bar for bar this is probably the weakest performance of my life but song for song it's the best. I think the best way I can explain it is to say on my older stuff it was artist friendly- I was a rapper's rapper. THE TEXAS RENAISSANCE is more people friendly, straight forward & direct with nothing wittingly going over the average person's head. I guess the funny part is by not trying to prove that I am one of the best I have successfully shown that I am one of the best s far as Texas is concerned. I am proud of this project & I am grateful to my team. When it's all said & done, I give the glory to God & present the music to you without a worry. There is no critic or skeptic that can belittle this masterful piece of work because this work is me & I'm more comfortable with me than ever before. So does THE TEXAS RENAISSANCE really have the makings of classic....you'll just have to wait & be the judge of that yourself.

Wednesday, July 7, 2010

ANOTHER TEXAS RENAISSANCE ADDITION!!

Man, this project just keeps getting better and better by the minute! With the addition of my homey & the artist whom I consider to be the best in Houston hands down, I can humbly say without bias that THE TEXAS RENAISSANCE will be a classic album, period. K-Rino is undoubtedly the most prolific hip hop pioneer our city can lay claims to & I am proud to say that for the second time he has blessed my work with his talent. After the response I received for our collaboration "Robert Davis" off of my project LAST MAN STANDING, it only made sense to reach out to the big homey again to help make the current album a little better than it already was. And being that I considered this project to be a resurrection of sorts for the sound I consider to be true Houston, I couldn't possibly complete my vision without the likes of the original underground king of Texas.
For those of you who are not familiar with the legend known as K-Rino, he is the founder and mastermind behind Houston's iconic group The South Park Coalition. With over 14 albums under his belt & never being signed to a major record label, you have to understand the respect his business alone commands. Add the fact that I can tell you that he personally introduced me to the overseas grind, you can understand why I have such admiration for him. Oh yeah, let's not forget, HE IS DOPE! And if you don't believe me ask Scarface, who said- and I quote- "K Rino is the best rapper in Houston. Yeah, I give it to K Rino."
With all of that said, shout out to my homey and business mentor K-Rino for blessing THE TEXAS RENAISSANCE with not only his talent, but his cosign. I'm closer than I've ever been to achieving my personal goals & I credit my team, my fans & my supporters for my success! Y'all just stay tuned, I promise THE TEXAS RENAISSANCE will be 1 of the greatest albums to come out of Houston to date- and I say that humbly.

Monday, June 28, 2010

Taking It Back 2 The Streets

It is official! This weekend I hooked up with the homey J-Dawg of the infamous Boss Hogg Outlawz & we made history! Thanks to my platinum producing buddy Mike B. the homey & I created a smash street anthem entitled "In The Hood". Besides being a very talented artist & all around down to earth type of dude, I can honestly say without hesitation that J-Dawg is undoubtedly one of- if not the- realest brothers on the scene here in Houston (besides myself of course!). It's been a similar road to the top for us both so this song was definitely a must do! And even though our styles are nowhere near similar, the finished track was like a match made in Heaven.
Real talk, if you are a fan of mine then you know that I pride myself on being a very versatile artist whose main focus is on the lyricism of my craft. I do my best to convey my thoughts with metaphors & similes that will keep you thinking & appreciating the language arts. With that said, it's just something about the pain behind the straight forwardness J-Dawg brings that allows me to admit that I totally understand why he is one of the hottest cats in the streets right now. He was so humble & quiet in the studio but when he walked into the booth & removed his shirt it was like he totally transformed & the song did the same right along with him. I am proud to be able to say that I have worked with the people whom I personally respect on this project because at the end of the day the music speaks volumes. We'll be shooting the video real soon (probably in about 2 weeks) so I will keep you all abreast of that because we're definitely going to bring the hood out! In the meantime, download my homey's mixtape "Behind Tint Volume 2" below & check out the sneak leak of the song pre-mix. Also hit up the youtube, the homey Fetti from RISE DVD should be putting up footage from the session soon! Shoutout to my whole Migration Music & Team PKT family- Sir T, Cool Rob, Hitman Hoffa, KING, T. Rose, Mike B. & anyone else who continues to show love & support to my movement. The Texas Renaissance is coming soon.....

Saturday, February 7, 2009

STOP.....SWAGGER TIME!!!


So as you all know, I cut the hair and changed my name...now what? Well, to be quite honest, the game has just begun. In addition to officially bringing "swagger" back, I am launching the save the Texas music scene campaign in 2009 headed by yours truly. On behalf of myself and the entire Swagger Bird Clique, I will be putting out the kind of quality projects that made Texas a strong independent market in the early '90s. Among the list of upcoming artists that I will be introducing to the masses is my good friend and very talented Dallas lyricist Natureboy Rowe. His project, entitled "WCW: World Class Wreckin'," is a collaborative effort with producer Rick Flare that is already getting great expectations due to the leaked single "Candy Thang" featuring Pimp C! Also creating a buzz of his own is my artist & Swagger Bird captain Alejon with his sophmore release "Royalty Check." Of course, spearheading and closing the campaign is yours truly PKT with my highly anticipated project "Efly Manning" followed by the long awaited album "Retribution." This year Texas is in the hands- excuse me, I meant on the wings- of the great Swagger Bird Clique! Shout out to all my soldiers- Alejon, Natureboy Rowe, Lunny Capone, King James, Alazae, Abby Fish and Yung Stack- WE ARE TEXAS...WE ARE THE MOVEMENT!!

Wednesday, September 24, 2008

R.I.P.Pimp Killa Thug

Okay, so I'm sure everyone has heard or seen the "R.I.P. Pimp Killa Thug" all over the internet but contrary to popular belief, PKT is still alive!! In an attempt to shed my image, I cut off my braids and buried the image along with the name Pimp Killa Thug. From here on out, I will be known solely as PKT along with whatever Swagger Bird aliases that I conjure up! And to everybody asking why I made the drastic visual change it's quite simple- I did it to mark the drastic life changes I've made and continue to make. Honestly, I had been growing my hair for more than 5 years in which time I've had 3 more kids, changed jobs, lost friends and family excetera excetera. I looked up and my baby girl turned 1 this month and she is walking!! Everything around me & within me was different but you couldn't look at me and tell without talking to me & that's what I wanted to change. So, I cut off my hair and now everyone knows something's different! Anyho, I'll end this blog with a few shameless plugs- Beastmaster 2:Mick Swagger coming soon and PKT:Retribution coming sooner!! Here is the new and improved PKT......

Monday, July 28, 2008

I DO IT 4 THE LOVE!!!

So I was doing what I always do, making music in the studio, when it hit me- "If you play it, they will listen." LOL!! Seriously though, I figured that since I love making music and people love hearing music (not buying it), I'd might as well kill 2 birds with one stone. So at a date to be determined in August, I am releasing a whole new project on the net for FREE DOWNLOAD!!! It will be called BEASTMASTER 2: MICK SWAGGER featuring production from the infamous Rick Flare of Palm Metal State Productions, the incomparable Breallant of Street Dreemz Productions and rising super producer ONEderkid of BMC Productions. I pretty much kept the features at a minimum by collaborating with just a couple of artists that I have the utmost respect for & feel that don't get the props they deserve- Nature Boy Rowe from Dallas,TX, 50/50 Twin formerly of the Color Changing Clique, Rob Small the R&B sensation formerly of The Boss Hogg Outlawz & a rising underground hip hop artist by the name of Mic Skills. I am going all out with this project like I always do so please download it when I drop it, pass on the word & most of all enjoy the music because I definitely enjoyed making it!!
WWW.PIMPKILLATHUG.COM
WWW.SOUTHERNMAJESTY.NET

Tuesday, June 24, 2008

'Til Death Do Us Part

What do you do when everything around you becomes mundane & the air outside that used to be fresh is polluted with harmful toxins or putrid molecules? How do you break away from the continuous cycle of the present when the only escape you've ever known has become a product of the here and now that you just can't seem to flee? Better yet, how do you fight back when you are not in control of your own destiny?
As strange as this may sound, these are the questions that my love asks me every time I call myself spending moments with her. Often times I find myself just holding my pen, wishing I could script for her all the things that she has asked me & present them to the masses but……..she will not have that. Instead, she wants me to put on my cape and come to her rescue like a super hero without stopping to realize that I wasn't born on planet Krypton nor was I bitten by a biological super spider. When I try to tell her that I am only human, nothing more than an insignificant body of flesh & blood she tells me that this is only an excuse. Then she explains to me that my words are her voice and my actions are her life and I begin to grasp that I am much more than just a human being. I start to recognize that I too have the power to be immortal. My words are timeless and my impression can be everlasting if and only if I do something worthy of remembering. So I begin to scribble stories of triumph, inscribing truths on my paper as if I'm writing a new version of the Holy Bible. I speak of all the things that people need to hear so that someone will listen and my articulation won't be in vain. I write with a passion concealed until my wrist is numb and my eyes are too blurry to interpret my own words. When it is all said and done, the world nods to the rhythm of my words. The beat of my heart provides the necessary cadence needed every time I want to express my feelings after my love and I have conversed. What I call an art some label a hobby & what I call my love some dub as hip hop but whatever we choose to term it one thing will forever remain true- it is eternal.
Music is much more than just a collection of harmonious instrumentation united to make you dance. It is a breath of fresh air when everything around you becomes mundane and an escape when you need to break away from the here & now. Music is the super hero that saves us when life is on its villainous rampage and the only strength we can muster up is in the melody of our favorite song. Hip hop is my love & I refuse to let her lay dying by the wayside when I know I have the power to revitalize her existence. My words are her voice & my actions will be her life. Together we shall live forever because I am more than just a human being and she is more than just the combination of words and melodies set to a tempo. Contrary to popular belief she is not dead and she shall never die because collectively, we are immortal. All hail the queen and long live my love- hip hop!

Monday, June 23, 2008

Hip Hop Raised My Kids

I was watching my youngest child yesterday as he did his toddler dance to the music in a television commercial and I realized at that very moment that hip hop had raised all my kids. I began reminiscing and that’s when it all suddenly made sense. My kids were conceived to the drum patterns of R&B tunes, beatboxed and rapped to while in the womb, then sang to sleep after they completed their great journey to this thing we call life. I shook my head in disbelief because now I had to figure out exactly where I went wrong and lost control of personally molding their ever so impressionable minds. How did hip hop replace me in the upbringing of my children?
It’s really quite simple when you think about it. Most people would probably say it’s because I let them watch television and all the programming is over saturated with hip hop imaging and cultural marketing. Others might say it’s because the books I read to them were all rhymes so the patterns just took on that “rap” feel. Then again, some people might simply believe it’s all because I didn’t want to shoulder the responsibility of fatherhood so I let the music and the artists be their role models and instill all the values of the industry into their heads. Whatever you think the case may be, I came to the conclusion that hip hop raised my kids because hip hop raised me.
I can remember growing up as a young boy walking down the sidewalk with my cardboard in one hand and my boombox on my shoulder. I remember watching movies like Breakin’ and Crush Groove then emulating every move I saw in the mirror until I had perfected it. I can even recall writing raps in my elementary school folder with the wide lines and the dashes through the middle that was supposed to be used for practicing writing my A-B-Cs and 1-2-3s. Even to this day, 20 something years later, I find myself quoting some of the songs that I listened to as a child. But the greatest part of all those memories is this- when I picture doing that backspin or practicing that human beatbox, my father was right there. When my favorite song was blasting on the radio as I practiced doing my basketball drills, my father was passing me the ball. In all my memories the one thing that remains constant is I was never alone.
What the children of today are missing is balance. I was able to appreciate music and artistry because my father was always right there to tell me what was and wasn’t acceptable in what I was listening to. He used the passion that I had for hip hop to help teach me what respect for self and others was all about while at the same time giving me that quality time I needed without me even knowing it. So as I watch my children do their dance and recite lyrics to their favorite songs, I become very proud of the fact that I am right there too. To hear them say “Daddy look” or tell other kids “My Daddy said,” reassures me that I am on the right path and giving them the guidance they need. My sons know what not to call women and my daughters know how not carry themselves. My children are comfortable with being who they are because I have been right there to answer every question and explain where true value and worth is hidden. My kids know that all the jewelry, cars and money isn’t hip hop, it’s just the individual. I love the fact that even as a rap artist on the rise in the industry, my children only see me as one thing, there “Daddy.”
Because of my family I now realize that hip hop cannot be defined by some general explanation because it is more than just a song or a video, it is a way of life. Hip hop is so many different things to so many different people that it doesn’t define a person, each person defines it. From the way we walk to the way we talk, everything we do is a living example of who we are or who we’re trying to be. Everything in life is worthless until we give it worth so it is important that we be careful in what we choose to empower. I know now that I haven’t gone wrong or lost control in rearing my children because yes, hip hop has raised my kids- but I am hip hop.

PimpKillaThug:The Man Behind The Music

As the spotlight began to shine over his city, Pimp Killa Thug found himself in the darkest corner that Houston could offer. After being amongst the who’s who list of underground artists within his city during the late ‘90s, his self imposed hiatus taken at the turn of the century had placed him in the unfamiliar position of obscurity. Seemingly shunned by the same artists that he had once upon a time lent a helping hand to and even been looked up to by, PKT was left all alone with the job of making a name for himself, by himself. After releasing 3 highly acclaimed mixtapes and landing cameos for everybody from The SwishaHouse to Kiotti and the Bebe Kids, it was evident that Houston had a new problem to deal with by the name of Pimp Killa Thug.
Refusing to follow the path his predecessors had laid, PKT vowed not to become swallowed up by the local underground market that was already over saturated with sub par artists. In an effort to stake his claim in the industry, Pimp Killa turned to good friends Kenneth “Breallant” Williams, Anthony “Alejon” Johnson and T. Piper to form the record label Southern Majesty Entertainment. After numerous round table meetings and business plan conferences, the group decided to launch PKT’s first and much deserved solo project entitled “Retribution.” The project, slated for release in early 2008, is a soulful opus that reflects the artist’s life with no disguises or sugar coated situations. After a strong media push and an intense myspace response, it was made obvious that PKT was still a fan favorite.
“I think that people were just ready for a change and burnt out on all the fads that hip-hop was giving them.” Everybody can relate to being broke, overlooked and even ridiculed, so it’s no wonder that Pimp Killa Thug captured the people rather swiftly. “I don't consider myself to be anything more or less than a man, so everybody finds it easy to connect with my music because it’s like having a genuine conversation with me in person. I only rap about about things that I experience or believe in which makes me just one of the guys, not a rapper so to speak.” It has been a breath of fresh air for the hip-hop public to be blessed with an entertainer who not only speaks with substance, but isn’t draped in overpriced accessories and hard to pronounce garments that cost more than some people’s car notes. It’s obvious by the response of the fans that Paul Wall may be their “Champ,” but PKT is their “Choice.”
After being the number one Texas artist by rank for 2 months on the myspace top artists list and being nominated for the Best Underground Hip-Hop Artist award by the Houston Press, it is fair to say that the fruits of his labor are definitely paying dividends. Recently being spotlighted in All Hip-Hop.Com’s Breeding Ground section, Pimp Killa Thug has landed himself new found momentum as well as the pressure of living up to all the hype. “Ever since my interview on All Hip-Hop.Com, people want to know if I was really in a group with Paul Wall and Chamillionaire. Every publicist and marketing manager wants to use the story as a building block for my career since both Cham and Paul are Texas icons and at the height of their careers. But I wont do it. If my music alone isn’t good enough to get me into the industry then I’ll just have to find something else that I’m good at.” But we all know that wont be necessary, especially since all of the buzz surrounding Pimp Killa Thug was prior to the story ever getting out. “I love Paul and Cham as people, not just successful artists. I have a lot of respect for them and vice versa. They will be the first to tell you that I was present for their album releases and the autograph signings. I stood in line just like every other person that was there, even though I could’ve just called them on their phones and been let in through the back. I want to be known as PKT, not the dude who made it because he used to be in a group with Paul Wall and Chamillionaire.”
Solidifying himself as a legit Houston artist hasn’t been easy, but it has been done. Pimp Killa Thug can be found on DVD’s doing interviews or heard being talked about in household conversations when hip-hop fans are discussing who will be the next to blow. You can ask the Houston hard hitters from Mike Jones to Slim Thug about PKT or simply google his name. Either way, it will be clearly evident that this Houstonian is destined for great things in the industry. After hearing him speak and listening to his many compositions, it is no wonder why his album “Retribution” is so highly anticipated by the masses of web surfing genre heads. Somehow allowing his artistry and his life to remain one in the same, TeRay Green, better known now as PKT, has made it apparent that the man, the music and the mission are all the same- real.

Tell The DJ Bring It Back!!


In this ever changing world we know as hip hop, fads come and go and come again. With all the uncertainties the industry provides, we would have loved to think that the one thing that would have remained constant would have been the level of skill needed to be a valid entity in the music community. Unfortunately for consumers and artists who take their craft serious, this is no longer the case. The music we have grown to love has become an abundant grab bag full of carbon copied one hit wonder fads and the substance we once turned to for direction is so watered down that if we performed a rain dance during a drought the skies would open up and drop CDs. The real question now isn’t what happened, but where do we go from here?
Although I hate to sound cliche, we can’t go anywhere until we know where we’ve been. Despite hip hop becoming a big business and artists becoming hustlers in the game instead of students of the game, one truth still remains and that is music lives and dies in the streets. Until we the consumers change our buying habits, the machine won’t change it’s approach. What we really need to realize is that the richness of a culture cannot be overcome by the outside unless it has already been destroyed from the inside. Hip hop is dying and it’s not from homicide, but it’s from genocide. We are killing our own culture and smothering the one universal voice that we have. With all that said, you still ask me “So what do we do now?”
To put it simply, support the artists who make the music you like and only buy the music that you love. Every time you purchase one of these fads as a ring tone or request that new single at the radio station so your friend who hasn’t heard it yet can see how stupid it sounds, you are contributing to the downfall of a great culture. You know that CD you listen to from that hometown artist that no one has heard of yet, request his music at the station nonstop. Take a little time in your musical conversations to mention how nice this new emcee is that gave you a CD and then pass the music on. Artists, stop focusing on the money and get back to the grindstone that made hip hop what it is. Bypass the radio and quit focusing on the cars, the women and the bling. Spend that paper on some studio time and a quality sounding project that the streets wouldn’t mine standing behind. As a matter of fact, don’t even start rapping until you find out who your favorite rapper’s favorite rapper was and you have listened to atleast three of their songs. Although I hate to admit it, I feel like our artists don’t know their beginnings because it’s black history- and we all know black history isn’t important.
Anywho, I said all that to say this- hip hop is not dead but it is wounded and slowly bleeding to death. It’s time to give the game a blood transfusion and a new lease on life. Support your local artist and stand up for what you know is real music. Like it or not, the future of our culture can only go wherever we take it.